When a man goes up the Ferris wheel very much alive, but comes down dead, local small-town police suspect a heart attack. But one person is calling it foul play, a Miss Marjorie McClelland, full-time mystery writer/part-time sleuth. In 1935, Depression-era Connecticut, Marjorie’s dogged determination and independence is a breath of fresh air to some, and a source of consternation for others.
Marjorie’s fiancé, an achingly handsome police detective, wishes she’d just stay home and act a little more ladylike. Undeterred, blonde and lovely Marjorie charms her way into what becomes a full-scale murder investigation. But not without the maddening assistance of a bored, yet altruistic, millionaire, Creighton Ashcroft, who, when he’s not swapping barbs with Marjorie, tries to impress her by doing a bit of aristocratic snooping on his own.

The first Marjorie mystery, Million Dollar Baby, was a delightful surprise all around, though a tad on the longish side. Ghost of a Chance takes everything that worked in the first book and improves on it. The characters are quirkier and more richly developed, the story is plotted with greater tightness and precision, and the pacing is more focused and keeps events flowing at a brisk pace. Meade peppers the storyline of Ghost of a Chance with enough red herrings to keep you guessing, giving the mystery several rich layers that are a great deal of fun to watch unfold on the page. I also love the 1930s setting. Meade mixes the small-town feel of a mystery show such as Murder, She Wrote and endows it with enough period charm to bring the Depression-era US to vivid life. But more than setting details, Meade anchors her characters in the time period. Meade crafts her characters with a cinematic touch, and for classic movie lovers it’s impossible not to imagine Marjorie’s adventures unfolding in black and white like the classic screwball comedies of the time period.

I didn’t think it would be possible to enjoy Creighton and Marjorie’s developing relationship more than I did during their introduction in Million Dollar Baby, but I’m happy to say Meade has outdone herself. More than ever, I can so easily visualize Myrna Loy and William Powell, of the Thin Man movie fame, bringing Creighton and Marjorie to life on the silver screen. Like their Old Hollywood counterparts Nick and Nora, it is so much fun watching Creighton and Marjorie needle and poke at each other, because you know their “fights” are rooted in affection and mutual attraction. Meade’s biggest strength is her characters – they are funny and memorable, very real and quirky people that you can’t help but fall in love with. With a stronger, more tightly plotted mystery, engaging characters, rapid-fire dialogue and loads of humor, Ghost of a Chance is a winner. I can’t wait to see what adventures Marjorie and Creighton encounter next!
-Booktalk & More

Ghost of a Chance is packed with more than the average set of clues and requisite dead body. Amy Patricia Meade has written a mystery full of suspects, one motive after another, and lots of red herrings. Add to the mix humor and a love triangle and you’ve got a winning combination.
- Once Upon A Romance